Baby Jail Lyrics — by Popularity
| 1 | Tubel Trophy |
| 2 | Never Change A Winning Team |
| 3 | Der Dumme Student |
| 4 | Music |
| 5 | Pretty Vacant |
| 6 | Einstiegsdroge Nr. 1 |
| 7 | Rice Again |
| 8 | Grünes Haar |
| 9 | Dräck |
| 10 | Pizzaiola |
| 11 | Ritter Der Strasse |
| 12 | Everlasting Chewing Gum |
| 13 | Still Don't Know |
| 14 | Unterwegs Zur Schatzinsel |
| 15 | Gips |
| 16 | Borstal Django |
| 17 | Lila Wolkenmeer |
| 18 | Trendy |
| 19 | 1:1000 |
| 20 | Der Böse Bub Ernst |
| 21 | Dirt |
| 22 | I Want To Be My Girl |
| 23 | I Won't Go Back To School |
| 24 | Ja ! |
| 25 | Leere Flaschen |
| 26 | Nëi ! |
| 27 | Prinz Joggeli |
| 28 | Ska Ship |
| 29 | Spartacus Ship |
| 30 | Truckerboy |
| 31 | Unterwegs Zu Schatzinsel |
| 32 | Was Isch Guet? |
Baby Jail Albums
About Baby Jail
Baby Jail is a Swiss electronic group that emerged from the mid-1980s underground scene, crafting a distinctive sound that blends primitive electronic textures with an almost punk-like irreverence toward conventional dance music. Since their formation in 1985, the duo has maintained a deliberately lo-fi aesthetic that feels both nostalgic and futuristic, with tracks like "Tubel Trophy" and "Never Change A Winning Team" showcasing their knack for creating hypnotic, repetitive grooves built on analog synthesizers and drum machines. Their two albums, "Trendy" and "Primitiv," capture the essence of their approach-the former title ironically commenting on electronic music's commercial aspirations while the latter embraces the raw, unpolished sound that defines their work. Baby Jail's cultural impact lies in their steadfast commitment to an outsider aesthetic, refusing to smooth out the rough edges that make their music so compelling, as evidenced in tracks like "Der Dumme Student" which combines German vocals with their signature minimal electronic pulse. Over nearly four decades, they've remained remarkably consistent in their vision, with songs like "Music" serving as both a meta-commentary on their craft and a perfect distillation of their stripped-down electronic philosophy. Their cover of the Sex Pistols' "Pretty Vacant" reveals their punk DNA, transforming the anarchic energy of '77 into something equally subversive but uniquely electronic, cementing their status as uncompromising pioneers of Switzerland's alternative electronic scene.