Cop Shoot Cop Lyrics — by Popularity
| 1 | Surprise, Surprise |
| 2 | $10 Bill |
| 3 | It Only Hurts When I Breathe |
| 4 | Nowhere |
| 5 | Two At A Time |
| 6 | Ambulance Song |
| 7 | Any Day Now |
| 8 | Got No Soul |
| 9 | Everybody Loves You (When You're Dead) |
| 10 | Last Legs |
| 11 | Swimming In Circles |
| 12 | Room 429 |
| 13 | Cut To The Chase |
| 14 | All The Clocks Are Broken |
| 15 | Cause And Effect |
| 16 | Corporate Protopop |
| 17 | Coldest Day Of The Year |
| 18 | Furnace |
| 19 | Feel Good |
| 20 | Turning Inside Out |
| 21 | Lullaby |
| 22 | Interference |
| 23 | Slackjaw |
| 24 | Chameleon Man |
| 25 | Discount Rebellion |
| 26 | Hung Again |
| 27 | If Tomorrow Ever Comes |
| 28 | Israeli Dig |
| 29 | Migration |
| 30 | Money-Drunk |
| 31 | Seattle |
| 32 | Suckerpunch |
| 33 | The Divorce |
Cop Shoot Cop Albums
About Cop Shoot Cop
Cop Shoot Cop was a New York-based industrial rock band active from 1987 to 1996 that carved out a uniquely menacing niche in the underground music scene with their bass-heavy, percussion-driven assault. The group's sound was built around an unconventional lineup featuring two bass players and no lead guitar, creating a rumbling, mechanical foundation that perfectly complemented their dystopian urban themes and Tod A.'s sneering, confrontational vocals. Their music channeled the grimy, post-industrial decay of late-80s New York into songs like "Surprise, Surprise" and "$10 Bill," which combined the rhythmic brutality of industrial music with the raw energy of noise rock and hardcore punk. Albums like "Ask Questions Later" and "Release" showcased their ability to transform urban paranoia and social alienation into hypnotic, almost danceable anthems of discontent, with tracks like "It Only Hurts When I Breathe" demonstrating their knack for crafting memorable hooks within their abrasive sonic framework. While never achieving mainstream success, Cop Shoot Cop's influence can be heard in later industrial and alternative metal acts, and their unflinching portrayal of urban decay and working-class frustration helped define the sound of underground New York rock in the early 1990s. The band's evolution from their early, more straightforward hardcore approach to the sophisticated industrial arrangements of their later work reflected both the changing landscape of alternative music and their own artistic maturation before disbanding in 1996.