Yeah
We had the type of nights where mornin' comes too soon
And nothin' was the same
Watch me, goin' out of the way
When I shoulda went home
Only time of the day I get to spend on my own
I was trippin' off how I used to sleep at ya crib
Should drive by right where you live, and pick you up on the way
We ain't spoke in so long, prolly put me in the past
I can still get you wet, and I can still make you laugh
You should call into work if that ain't too much to ask
I could pour you up a drink and we can burn somethin'
Come thru, come thru, come thru, come thru
Girl you know we got thangs to do
Girl you know we got thangs to do
So get your ass in that car and come thru
Come thru, come thru, come thru
(Know ya got that thang that I like
Know ya, know ya got that thang that I like)
Girl you know we got thangs to do
Girl you know we got thangs to do
So get your ass in that car and come thru
(Know ya got that thang that I like
Know ya, know ya got that thang that I like)
(Know ya, know ya, know ya got that thang that I like
Know ya, know ya got that thang that I like)
Yeah
Last night I brought DOA to the studio
They already had a stage and a booty pole
Its supposed to be a lot of hard workin' goin' on (right)
But who the fuck can focus with this twerkin' goin' on?
Someone put a order in for a chicken (for a chicken)
Told my girl to order in, I need the kitchen (need the kitchen)
Yeah, they know I got the hook-up, they just wait on me to cook up
Baby, I heat up the stove, you do the dishes, ya know?
Rap game, crack game, ain't that different, ya know?
Last album had it boomin' somethin' vicious, ya know?
And ya know I need ya back in my life
Girl, ya know ya got that 'noila got that thing that I like
Girl, you got that thing for real
When I was on a mission to make it
Who used to sleep on the floor with you when you lived in the basement?
Who else got all the things you need at 4am when it's late?
I always pour you up a drink and let you burn somethin'
Come thru (come thru) come thru (come thru)
Come thru (come thru) come thru (come thru)
Girl you know we got thangs to do
Girl you know we got thangs to do
So get your ass in that car and come thru
(Know ya got that thang that I like
Know ya, know ya got that thang that I like)
Girl you know we got thangs to do
Girl you know we got thangs to do
So get your ass in that car and come thru
Why has it been so long? Why has it been so long?
Why has it been so long? Why has it been so long?
Why has it been so long? Why has it been so long?
Why has it been so long? Why has it been so long?
Why has it been?
Why has it been so long? Why has it been so long?
Why has it been?
Why has it been so long? Why has it been so long?
Who you been crying to? Who you been flying to?
(Why has it been so long? Why has it been so long?)
Whose bed are you sleeping in? Someone's been hiding you
(Why has it been so long? Why has it been so long?
Why has it been so long? Why has it been so long?)
Where have you been?
(Why has it been so long? Why has it been so long?)
You deserve rounds tonight, come thru girl you deserve rounds tonight
(Why has it been so long? Why has it been so long?)
Come thru girl you deserve rounds tonight
(Why has it been so long? Why has it been so long?)
Come thru girl you deserve rounds tonight
(Why has it been so long? Why has it been so long?)
Rounds tonight oh
(Why has it been so long? Why has it been so long?)
Come thru girl you deserve rounds tonight
(Why has it been so long? Why has it been so long?)
Come thru girl you deserve rounds tonight
(Why has it been so long? Why has it been so long?)
Come thru girl you deserve rounds tonight
(Why has it been so long? Why has it been so long?)

About This Song

"Come Thru" is a vulnerable late-night confession wrapped in Drake's signature blend of longing and regret, exploring the complex emotions of reaching out to a former lover despite knowing the relationship has fundamentally changed. The song captures that specific melancholy of nostalgia mixed with sexual desire, as Drake reflects on intimate memories while acknowledging the awkwardness of reconnecting after a prolonged silence. Lyrically, it's about the push-and-pull between moving forward and being drawn back to familiar comfort, with Drake admitting he's going "out of the way" when he should be heading home-a metaphor for emotional detours that contradict rational decision-making. The production features Drake's characteristic moody, minimalist R&B-influenced sound with atmospheric synths and a laid-back groove that mirrors the song's late-night, contemplative mood. What makes the track particularly resonant is its honest portrayal of post-breakup dynamics-the way former partners can still maintain an intimate connection even when the relationship has officially ended. Drake's delivery alternates between confident assertions about his continued effect on his ex and moments of genuine uncertainty, creating an emotional authenticity that many listeners found relatable. The song taps into universal experiences of late-night loneliness, the temptation to revisit past relationships, and the complicated feelings that arise when physical chemistry outlasts emotional compatibility. "Come Thru" became a fan favorite because it perfectly encapsulated Drake's ability to make personal vulnerability feel both intimate and broadly accessible, turning a specific moment of romantic confusion into a widely shared emotional experience.

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