Utada Hikaru Lyrics — by Popularity
195 songs · Page 1 of 4
| 1 | Hikari |
| 2 | Simple And Clean |
| 3 | Hymne A L'amour (Ai No Anthem) |
| 4 | Automatic |
| 5 | Flavor Of Life |
| 6 | Addicted To You |
| 7 | Passion |
| 8 | Blow My Whistle |
| 9 | Kingdom Hearts |
| 10 | Can You Keep A Secret |
| 11 | How Ya Doin' (Rap Version) |
| 12 | Fly Me To The Moon (In Other Words) |
| 13 | Traveling |
| 14 | Stay Gold |
| 15 | Another Chance |
| 16 | For You |
| 17 | Amai Wana (Paint It Black) |
| 18 | Automatic (Johnny Vicious Remix) |
| 19 | Boku Wa Kuma |
| 20 | Colors |
| 21 | Blue |
| 22 | In My Room |
| 23 | Goodbye Happiness |
| 24 | Uso Mitai Na I Love You |
| 25 | Celebrate |
| 26 | Movin' On Without You |
| 27 | This Is Love |
| 28 | Be My Last |
| 29 | Time Limit |
| 30 | Eternally |
| 31 | Deep River |
| 32 | Wait & See (Risk) |
| 33 | Give Me A Reason |
| 34 | Making Love |
| 35 | a.s.a.p |
| 36 | Kotoba Ni Naranai Kimochi |
| 37 | Play Ball |
| 38 | Sunglass |
| 39 | Kremlin Dusk |
| 40 | Kairo |
| 41 | Eternally (Romanized ) |
| 42 | Drama |
| 43 | Hayatorichi (Remix) |
| 44 | Parody |
| 45 | Tokyo Nights |
| 46 | Sanctuary |
| 47 | Come Back To Me |
| 48 | My Little Lover Boy |
| 49 | I Don't Love You |
| 50 | Work Things Out |
Utada Hikaru Albums
About Utada Hikaru
Utada Hikaru is a Japanese-American singer-songwriter who became one of Japan's most influential pop artists, blending R&B, electronic, and J-pop into a sophisticated, globally-minded sound. Their 1999 debut "First Love" became Japan's best-selling album ever, while songs like "Simple and Clean" and "Hikari" introduced their ethereal vocals and introspective lyrics to international audiences through the Kingdom Hearts video game series. Albums like "Fantôme" showcased their evolution into more experimental electronic territory, incorporating ambient textures and personal themes of loss and identity. With their bilingual artistry and genre-defying approach, Utada bridged Eastern and Western pop sensibilities, influencing a generation of artists and proving Japanese music could achieve both domestic dominance and global resonance.