Irving Azoff Blasts YouTube Over Billboard Charts Exit
Irving Azoff isn't done swinging at YouTube. The music industry veteran and Oak View Group co-founder published an open letter taking direct aim at the Google-owned platform following its widely covered exit from Billboard's charts — and he didn't exactly mince words.
Azoff has been beating this drum for a while now, with the core complaint being straightforward: YouTube pays artists and songwriters less per stream than any other major digital service. He made that case explicitly in a November 2025 guest column in Billboard — "YouTube pays the least for music, full stop" — and his latest letter picks up right where that one left off.
The tone of the open letter is vintage Azoff: pointed, a little theatrical, and completely unambiguous. "When you least expect it, expect it!" he wrote. "That's what I love about our business: someone always surprises you. I have been waiting to see who's willing to stand up to the bully that is YouTube, and kudos to Billboard for doing just that."
On the question of when — or whether — YouTube streams might earn their way back into Billboard's chart methodology, Azoff laid out what he sees as the only reasonable path forward. "I applaud Billboard for being willing to stand up!" he wrote. "YouTube pays music creators — artists and songwriters — less than any other comparable digital service and should not have influence over the Billboard charts. When YouTube starts paying artists and songwriters on par with other music services, then its streams can be counted the same as Apple, Spotify, etc. Until then, we should all be happy to let YouTube take its toys and go home."
Hard to misread the position there. And while Azoff's view appears to reflect a broad industry sentiment, the actual business reality is more complicated. Music isn't going anywhere on YouTube — not on the main platform, not on YouTube Music, and certainly not in the company's expanding suite of AI-powered features. There's no licensing war on the horizon, at least not imminently.
In fact, YouTube Music is quietly putting up numbers that deserve attention. Through December 2025, the service grew its subscriber base by nearly 40% year-over-year — a rate that's closing the gap, however slowly, between it and the US market leaders: Spotify, Apple Music, and Amazon Music. YouTube Music still trails even Amazon's streaming service in domestic subscribers, but that growth trajectory isn't nothing.
A few threads worth watching as this plays out: If YouTube Music keeps expanding and layers in monetizable AI features, does the charts standoff eventually become less of a hill anyone wants to die on? And more broadly, with Spotify and other DSPs moving aggressively toward AI-generated soundalike content, how does that affect chart consumption of actual catalog releases from major artists?
There's also the music video angle. Videos have always been YouTube's home turf — one of its biggest draws for music fans. Spotify only added music video support for US users in December 2024, a rollout that was held up for months by the platform's bundling push. That's a feature gap YouTube Music has exploited for years, and it's part of why its subscriber growth, even from a smaller base, shouldn't be dismissed out of hand.
For now, Azoff has said what he came to say. The Billboard-YouTube split stands, and the royalty rate debate is as alive as it's ever been.
Ryan Gallagher covers rock, punk, metal, and live music for SongLyrics. He has attended over 500 concerts and still wears the T-shirts to prove it.